Female names of literary origin, G-M

I belatedly realised I left out three names in the first post in this series:

Daiva was created by Lithuanian writer Vydūnas and possibly based on a Sanskrit word meaning “destiny.”

Dalma was created by Hungarian poet Mihály Vörösmarty for his 1825 epic poem Zalán Futása. Though the original Dalma was male, later writers used it for female characters.

Etelka was created by Hungarian writer András Dugonics for the protagonist of his 1788 novel of the same name. It’s derived from male name Etele, which is possibly a form of Attila (little father).

Image of Jessica, from The Graphic Gallery of Shakespeare’s Heroines, 1896, by Luke Fildes

Gloriana is the title character of Edmund Spenser’s 1590 epic poem The Faerie Queene, an allegory of Queen Elizabeth I. It’s an elaborated form of the Latin word gloria (glory).

Grażyna means “beautiful” in Lithuanian. It was created by great Polish poet Adam Mickiewicz for the title character of an 1823 poem.

Gyneth is King Arthur’s daughter in Sir Walter Scott’s 1813 poem The Bridal of Triermain. It’s possibly a variation of Welsh name Gwyneth, either from Gwynedd (the name of a region in Wales, perhaps derived from Old Welsh name Cunedda) or the word gwyn (fair, blessed, white).

Haidee was created by Lord Byron for a character in the 1819 poem Don Juan, possibly derived from Greek word aidoios (reverent, modest).

Imogen is a princess in Shakespeare’s 1609 play Cymbeline, based on legendary character Innogen, which in turn is probably derived from Gaelic inghean (maiden). Her name was misprinted and never corrected.

Janice is an elaborated form of Jane created by Paul Leicester Ford for his 1899 novel Janice Meredith.

Jessica was created by Shakespeare for Shylock’s apostate daughter in The Merchant of Venice (1596), probably based on Biblical name Yiskah (to behold).

Jolánka is the protagonist of Hungarian writer András Dugonics’s 1803 novel Jólánka, Etelkának Leánya. It may have come from jóleán (good girl) or Yolanda (violet).

Juliet is an Anglicized form of respectively French and Italian nicknames Juliette and Giulietta. It was first used in Shakespeare’s Romeo and Juliet (1596).

Kinscő was created by Hungarian writer Mór Jokai in 1872’s The Novel of the Next Century, derived from kincs (treasure).

Lalage is a character in one of Roman poet Horace’s odes, derived from Greek lalageo (to prattle, babble).

Lalla is the protagonist of Thomas Moore’s 1817 poem Lalla Rookh, derived from Persian laleh (tulip).

Layla means “night” in Arabic, and was used in 7th century romantic poems. The variation Leila was used in several of Lord Byron’s poems.

Loredana is a character in French writer George Sand’s 1833 novel Mattea, possibly based on Venetian surname Loredan and ultimately place name Loreo.

Lorna was created by R.D. Blackmore for his 1869 novel Lorna Doone, based on Scottish place name Lorne and possibly ultimately legendary king Loarn mac Eirc of Dál Riata.

Lucasta was created by poet Richard Lovelace for a 1649 poetry collection of the same name, dedicated to his love Lucasta, Lucy Sacheverel. He nicknamed her lux casta (pure light).

Lucinda was created by Miguel Cervantes for a character in 1605’s Don Quixote, an elaboration of Lucia, ultimately derived from Latin lux (light).

Magnhild derives from Old Norse magn (strong, mighty) and hildr (battle). This is the title character of Norwegian writer Bjørnstjerne Bjørnson’s 1877 novel.

Malvina was created by 18th century poet James MacPherson for his Ossian poems, possibly intended to mean “smooth brow” in Gaelic.

Mahulena was created by Czech writer Julius Zeyer for his 1898 play Radúz and Mahulena, possibly derived from Magdalena.

Miranda, from The Graphic Gallery of Shakespeare’s Heroines

Mavis was first used as a personal name in a character in British writer Marie Corelli’s 1895 novel The Sorrows of Satan. It comes from a bird also known as a song thrush, ultimately from Old French mauvis (unknown etymology).

Melantha may be a portmanteau of Mel (from names such as Melissa and Melanie) and suffix antha, from Greek anthos (flower). John Dryden used it for a character in his 1672 play Marriage à la Mode.

Mélisande is the French form of Millicent (strong work), used in Maurice Maeterlinck’s 1893 play Pelléas et Mélisande.

Minea was created by Finnish writer Mika Waltari for his 1945 hist-fic The Egyptian, possibly based on Greek name Minos (king).

Miranda was created by Shakespeare for the protagonist of The Tempest (1611), derived from Latin mirandus (wonderful, admirable).

Mirèio is an Occitan name first used by French writer Frédéric Mistral in the 1859 poem of the same name, possibly derived from Occitan mirar (to admire).

Moema means “lies” in Tupí, an indigenous Brazilian language. Poet Santa Rita Durão used it in his 1781 poem Caramuru.

Myra was created by 17th century poet Sir Fulke Greville, 1st Baron Brooke, possibly based on Latin myrra (myrrh), or an anagram of Mary. This is also the name of an ancient city of Anatolia.

Jane isn’t so plain

U.S. reformer Jane Addams, 1860–1935

Jane, like its male counterpart John, is a timeless, universal mainstay. It’s the Middle English form of the Old French Jehanne, which in turn derives from the Latin Iohannes and Greek Ioannes, ultimately derived from the Hebrew Yochanan (God is  gracious).

The name was #98 in the U.S. in 1880, and stayed near the bottom of the Top 100 and just outside of it for the remainder of the 19th century. Jane went up and down until 1909, when it rose from #130 to #116. The name proceeded to jump up the charts to the Top 50, attaining its highest rank of #35 in 1946. Its last year in the Top 100 was 1965. In 2019, it was #291.

Jean, a Middle English variation of Jehanne, was common in Medieval Scotland and England, then fell from popularity till the 19th century. In the U.S., it was Top 100 from 1906–64, with the highest rank of #12 in 1926 and 1928–29. It fell off the chart in 1995.

Joanna is English and Polish, and became common in the Anglophone world in the 19th century. Its highest U.S. rank was #88 in 1984.

Joan Crawford, née Lucille Fay LeSueur (1904–1977), with Lon Chaney, Sr., in The Unknown (1927)

Joan is a Middle English form of the Old French Johanne, and was the most common English feminine form of John till the 17th century, when Jane rose to the fore. It skyrocketed to popularity in the U.S. in the 1920s, jumping from #127 in 1922 to #5 by 1931–33. Joan stayed in the Top 10 till 1938, and slowly descended the chart. Its final Top 100 year was 1964. In 1993, it fell off the Top 1000.

Other forms include:

1. Johanna is German, Dutch, Scandinavian, English, Hungarian, Estonian, and Finnish. The variant Jóhanna is Icelandic.

2. Jeanne is French and English, and of course the name of one of France’s most beloved native daughters and sheroes, Jeanne d’Arc (Joan of Arc).

3. Jana is Czech, Slovak, Catalan, Dutch, German, Slovenian, Georgian, and English.

4. Johanne is Danish, Norwegian, and French.

5. Joanne is English and French. It was Top 100 in the U.S. from 1930–60, with its highest rank of #48 in 1942.

6. Joana is Portuguese and Catalan.

7. Ioanna is Greek, Georgian, Ukrainian, and old-fashioned Russian.

8. Ioana is Romanian.

9. Yoana is Bulgarian.

10. Ivana is Macedonian, Serbian, Czech, Slovak, Slovenian, Bulgarian, and Croatian.

Jeanne d’Arc, painted by Harold Piffard

11. Jone is Basque.

12. Yanna is Breton and Greek.

13. Jóna is Faroese and Icelandic.

14. Ivanna is Ukrainian.

15. Juana is Spanish.

16. Yana is Russian, Bulgarian, and Ukrainian.

17. Janka is Sorbian.

18. Xoana is Galician.

19. Zhanna is Russian.

20. Giovanna is Italian.

Queen Juana the Mad of Castille (1473–1555), painted between 1496–1500 by Juan de Flandes

21. Giuanna is Sardinian.

22. Gianna is modern Greek, and an Italian nickname for Giovanna.

23. Janina is Lithuanian, Polish, German, Finnish, and Swedish.

24. Janna is Swedish, Dutch, Finnish, and English.

25. Ghjuvanna is Corsican.

26. Siân is Welsh. Nicknames are Siana and Siani.

27. Siwan is also Welsh.

28. Seonag is Scottish. Nicknames include Seona and Seònaid.

29. Siobhán is Irish.

30. Síne is also Irish.

German opera singer Johanna Gadski, 1872–1932

31. Sinéad is another Irish form.

32. Jovana is Serbian and Macedonian.

33. Janessa is English.

34. Janelle is English.

35. Jeannette is French, Dutch, and English.

36. Jeannine is French and English.

37. Janine is English, German, Dutch, and French.

38. Žanna is Latvian.

39. Žaneta is Czech, Slovak, and Lithuanian.

40. Teasag is Scottish.

Soviet actor Yanina Zheymo, 1909–87

41. Jenny/Jennie began as a Middle English nickname for Jane, though eventually became used as a full name in its own right and a nickname for Jennifer.

42. Yanina is Russian, Bulgarian, and Spanish.

43. Hēni is Maori.

44. Jâne is Greenlandic. Unlike the English form, this has two syllables.

45. Janissa is English.

46. Seini is Tongan.

47. Hoana is Maori.

48. Joane is Gascon.

49. Ivanija is Vlach, a variation of Romanian spoken in Serbia.

50. Jaanika is Estonian and Finnish.

Swedish opera singer Jenny Lind, née Johanna (1820–87), painted 1845 by J.L. Asher

51. Jânotte is Norman.

52. Ohanna is Armenian. I have a character by this name, one of the orphanage girls in my Russian historicals.

53. Hovhanna is also Armenian.

54. Yohana is Amharic and Indonesian.

55. Yuwana is Arabic.

56. Yochana, or Yochanah, is Hebrew.

The Js of Slavic names

Male:

Jadranko, Jadran is the Serbian, Slovenian, and Croatian form of Adrian (from Hadria). The feminine form is Jadranka.

Jandro is a Croatian form of Andrew (manly).

Jarogniew is a rare Polish name meaning “fierce/energetic anger.”

Javor means “maple tree” in Serbian, Slovenian, and Croatian. The feminine form is Javorka.

Jerotej is a rare Serbian form of the Greek name Hierotheos (sacred to God).

Jutrogost is an archaic Polish name meaning “tomorrow’s guest, morning guest, dawn guest.”

Female:

Jablana means “poplar” in Serbian and Croatian. The male form is Jablan.

Jadwiga is the Polish form of Hedwig, from Ancient Germanic name Hadewig, derived from roots hadu (combat, battle) and wig (war). The nicknames are Jadzia and Wisia. This is the name of one of my characters, who becomes a surrogate big sister to a younger German-Dutch girl she meets in the Warsaw Ghetto and is with until liberation. She only very reluctantly leaves Malchen (Amalia) in the hospital to join her siblings who found their way to Sweden, and is reunited with her in the U.S. in 1947.

Jaglika means “cowslip” (a type of flower) in Serbian and Macedonian. This is a rare name.

Jasenka means “ash tree” in Croatian. The male forms are Jasen and Jasenko.

Jasna means “clear, sharp” in Serbian, Macedonian, Slovenian, and Croatian.

Jesena means “autumn” in Serbian and Croatian. This is a rare name.

The Js of Medieval names

Male:

Jankin (English): Nickname for John (God is gracious). It eventually turned into Jackin, and ultimately became the familiar Jack.

Jaunti (Basque): “Mister, lord.”

Jawar (Moorish Arabic)

Jayaatu (Mongolian)

Joceran (French): From Ancient Germanic roots Gaut (Goth) and hramn (raven). It may also have been influenced by Latin word gaudium (joy, delight).

Joldwin (English)

Jorand (Breton)

Josquin (Dutch, French): Gallicized form of Josken, which can either be a nickname for Joseph (he will add) or Jodocus (lord). This name was borne by venerable French composer Josquin des Prez (ca. 1450/55–27 August 1521).

Jurian (Low German): Form of George (farmer), derived from Greek name Georgios and root georgos (farmer, earthworker). The specific roots of georgos are ge (earth) and ergon (work).

Female:

Jaida (Arabic): “Virtuous, good.”

Jawhara (Judeo–Arabic, Moorish Arabic): “Gem, jewel.”

Jerinne (Flemish): Possibly an elaborated form of Frisian name Jera (a nickname for Gertruda) or a feminine form of Jeremiah (God has uplifted).

Jocea (English): Feminine form of Joceus (lord).

Jocosa (English): Form of Joyce (lord). The spelling was inspired by the Latin word iocosus or jocosus (merry, playful).

Joia (English, French): “Joy,” from Old French joie, Late Latin gaudia, and Classical Latin gaudium. In the Jewish community, this was sometimes used as a secular form of Simcha (joy).

Jolicia (English)

Judur (Moorish Arabic)

Junipera (Italian): “Juniper.”

Violet names

Violet Jessop (1887–1971), survivor of the sinking of the Titanic and Brittanic, and a collision of the Olympic, the oldest of the three sister ships

Violet is one of many formerly unfashionable names which has seen a stunning vault up the charts in recent years. It entered the U.S. Top 100 in 1901, at #91, and attained its highest rank of #74 in 1919. It slowly descended the chart, and fell out in 1972. In 1973, it returned at #926, but fell out again in 1975. Violet came back in 1981–82, and didn’t enter again till 1998.

In 2016, it had jumped quite a bit to become #47. The name seems to still be rising. It’s even more popular in Canada (#32), New Zealand (#44), and Australia (#43). It’s also popular in England and Wales (#65) and Scotland (#94).

Other forms of the name, and names whose meanings relate to the word “violet,” include:

1. Violette is French.

2. Violetta is Russian, Italian, and Hungarian. The alternate form Víóletta is Icelandic.

3. Violeta is Spanish, Romanian, Bulgarian, Lithuanian, Serbian, and Macedonian.

4. Wioletta is Polish.

5. Wioleta is an alternate Polish form.

6. Ibolya (EE-bo-yah) is Hungarian.

7. Vjollca is Albanian.

8. Violetë is also Albanian.

9. Viola is English, Italian, German, Czech, Hungarian, and Scandinavian. The alternate form Víóla is Icelandic and Faroese.

10. Wiola is Polish.

U.S. artist Violet Oakley (1874–1961)

11. Iole is Greek.

12. Violante is Italian.

13. Yolande is French, and may be derived from Violante.

14. Yolanda is Spanish and English.

15. Jolanda is Spanish, Italian, Dutch, and Croatian.

16. Jolana is Czech and Slovak.

17. Iolanda is Romanian, Italian, and Portuguese.

18. Jolanta is Polish and Lithuanian. One of the Polish nicknames is Jola.

19. Ljubica can mean “little violet” in Serbian and Croatian, in addition to “little love.”

20. Ione means “violet flower” in Greek.

French ballerina and choreographer Violette Verdy, née Nelly Armande-Guillerm (1933–2016)

21. Sigalit means “violet flower” in Hebrew.

22. Sigal means “violet, purple” in Hebrew.

23. Iolanthe is Greek and English, and means “violet flower.” Given the spelling and sound, its creation was doubtless influenced by Yolanda.

24. Ianthe means “violet flower” in Greek.

25. Calfuray is Mapuche, an indigenous language spoken in Argentina and Chile.

26. Banafsha, or Benafsha. is Persian.

27. Banovsha is Azeri.

28. Fioled is Welsh.

29. Fjóla is Icelandic and Faroese.

30. Ia is Greek and Georgian.

U.S. silent actor Viola Dana (1897–1987)

31. Kalili is a type of Hawaiian violet.

32. Manishag is Armenian.

33. Manoushag is also Armenian.

34. Manushaqe is Albanian.

35. Menekşe is Turkish.

36. Shouka can mean “violet sun fragrance” in Japanese.

37. Sumika can mean “violet summer,” “violet poetry,” “violet song,” “violet mist,” “violet river,” “violet air,” and “violet sky” in Japanese.