Happy Halloween!—Orange names

Happy Halloween! Here’s a list of names whose meanings relate to the word “orange” (the colour). In some languages, the word for the fruit and colour are identical, while in others they’re different. As always, some of these names might sound much better on pets, stuffed animals, dolls, or fictional characters. I obviously wouldn’t recommend using some of these word names on real people in countries where that language is spoken.

Alani is Hawaiian, and refers to the colour, fruit, and flower.

Arancia is Italian.

Aranciu is Corsican.

Kamala is Bengali.

Karaka is Maori.

Kesari is Marathi.

Lalanje is Nyanja, a Bantu language primarily spoken in Zimbabwe and Malawi.

Laranja is Basque and Portuguese.

Laranxa is Galician.

Namunu is Southern Sotho.

Naranja is Spanish.

Narıncı is Azeri.

Narinja is Telugu.

Oren is Malaysian and Welsh. This has a completely different etymology from the Hebrew name meaning “pine tree.”

Orenji is Japanese. I’m 99% sure this is a very modern, unusual name inspired by the English word, not a historic, native Japanese name.

Porteqalî is Kurdish.

Portokalea, or Portokali, is Greek.

Portokhali is Georgian.

Santara is Hindi.

Satara is Punjabi.

Sienna is a modern English name meaning “orange-red,” derived from the Italian city Siena. The city’s clay is sienna in colour.

Suntala is Nepali.

Taronja is Catalan.

Candied names

Everyone knows the English name Candy (which doesn’t exactly have the greatest onomastic reputation), but there are a number of other names whose meaning relates to the word “candy.” People who don’t like the scary aspect of Halloween can surely appreciate delicious candy!

Unless otherwise noted, all these names are female. This list also includes words which mean “candy” in other languages, words which sound like real names. As always, these names could be used for pets, dolls, stuffed animals, or fictional characters, not just human babies.

Alewa is Hausa.

Ame (U) can mean “candy” in Japanese.

Amena can mean “candy apple tree” in Japanese.

Caramella is Italian.

Caramelle is Corsican.

Caramelo (M) is Spanish.

Dulce means “candy” or “sweet” in Spanish and Portuguese.

Kandaĵa means “made of candy” in Esperanto.

Karamela is Greek.

Karamele is Albanian.

Karamelli is Finnish.

Kendi is Cebuano, Filipino, and Gujarati.

Keremela is Amharic.

Khandav (M) means “sugar candy” (among other things) in Sanskrit, Hindi, and the other Indian languages. This is also the name of a sacred forest in Hindu mythohistory. The female form is Khandavi.

Labshakar derives from the Uzbek words lab (mouth, lip) and shakar (candy, sweets, sugar).

Lole is Hawaiian and Samoan.

Mayshakar comes from Uzbek words may (wine) and shakar.

Meva means “candy, sweets, fruits” in Uzbek.

Mevagul derives from Uzbek words meva and gul (flower, rose).

Miako can mean “candy child” in Japanese when this is used as a unisex name.

Michari is Bengali.

Mohishakar comes from Uzbek words moh (mouth, Moon) and shakar.

Nammi is Icelandic.

Oyshakar derives from Uzbek words oy (Moon) and shakar.

Permen is Indonesian and Javanese. This reminds me of male Serbian, Russian, Georgian, and Croatian name Parmen, which derives from Greek Parmenas (to stand fast).

Qurbonshakar comes from Uzbek words qurbon (religious offering, oblation) and shakar. The first element bears a strong resemblance to the Hebrew word for the same concept, chorban. This isn’t the first time I’ve noticed unexpected similarities between these languages from two entirely different families.

Şêranî (Sher-ahn-ee) is Kurdish.

Xolshakar derives from Uzbek words xol (beauty mark, mole, dot) and shakar.

Male names of literary origin, G-M

FYI: If you’re wondering why I’ve barely mentioned any Arthurian names in this series, it’s because I’m saving them for a future post on that subject only.

Sorry I couldn’t find a bigger pool of names! The relative dearth of literary male vs. female names is evidence of how, until fairly recently, people generally have been more creative with female names.

U.S. comedic actor Buster Keaton as Hamlet, 1922

Gareth first appeared in Thomas Malory’s 15th century collection of Arthurian legends, Le Morte d’Arthur. It’s based on Gahariet, the name of a similar Knight of the Round Table in French legends. This name, like many others in those stories, may also have a Welsh origin. If so, it may be derived from gwaredd (gentleness).

Gavroche was created by Victor Hugo for a character in Les Misérables (1862). Because of the fictional Gavroche, this has become slang for “street urchin” and “mischievous child.”

Goldmund is one of two title characters of Swiss-German writer Hermann Hesse’s amazing 1930 novel Narcissus and Goldmund. It’s meant to mean “gold mouth,” from German gold and mund, but it can also mean “golden protection.” Mund means “mouth” in modern German, but “protection” in Old High German.

Hamlet is an Anglicised form of Danish name Amleth, famously created for Shakespeare’s 1600 play of the same name. For whatever reason, this name is also used in Armenian.

Hareton may have been created by Emily Brontë for a character in her 1847 novel Wuthering Heights. It may also derive from an English place name meaning “hare town.”

Heathcliff was invented for the male protagonist of Wuthering Heights, and has the self-explanatory meaning “from the heath cliff” or “from the cliff with heath.” A heath is a shrubland with low-growing, open, woody plant life, mostly in acidic soils.

Sir Laurence Olivier and Merle Oberon in Wuthering Heights (1939)

Indulis started as a diminutive of Latvian name Indriķis (home ruler; i.e., Henry), but is now given as a full name in its own right. Playwright and poet Rainis (a pseudonym of Jānis Pliekšāns) used it on one of the title characters of his 1911 play Indulis un Ārija.

Keimo was invented by legendary Finnish writer Aleksis Kivi in the 19th century, inspired by the village of Keimola.

Kordian is the protagonist of Polish writer Juliusz Słowacki’s famous 1833 play. I’m going to give this name to a till-now minor background character who’s soon to become an important secondary character, and also gave it as a middle name to another character. It’s derived from the Latin cordis (heart). This name is so romantic and beautiful!

Lesław was created by Polish writer Roman Zmorski for his 1847 poetic novel of the same name, derived from Lech (the legendary founder of the Polish nation) and the root sław (glory).

Lestat was created by Anne Rice for a character in her Vampire Chronicles series, which débuted in 1976. She may have intended it to look derived from Occitan or Old French l’estat (the status, state), though Lestat’s name was originally Lestan, in honour of her husband Stan. While writing the first book, she accidentally wrote the name wrong, and only noticed later.

U.S. President Andrew Johnson (left) as Mercutio, 1868 political cartoon by Alfred Waud

Malvolio means “ill will” in Italian. It was created by Shakespeare for a character in his 1602 play Twelfth Night.

Marganore was invented by Italian writer Ludovico Ariosto for his 1516 poem Orlando Furioso (published in its complete form in 1532). Fittingly, since it belongs to a tyrant, the name derives from Greek words margaino (to rage, to be mad) and anor (man). Thus, it means “madman.”

Mercutio is a diminutive of Mercury, probably ultimately from Latin mercari (to trade) or merces (wages). Shakespeare used it for a character in Romeo and Juliet (1596).

Female names of literary origin, G-M

I belatedly realised I left out three names in the first post in this series:

Daiva was created by Lithuanian writer Vydūnas and possibly based on a Sanskrit word meaning “destiny.”

Dalma was created by Hungarian poet Mihály Vörösmarty for his 1825 epic poem Zalán Futása. Though the original Dalma was male, later writers used it for female characters.

Etelka was created by Hungarian writer András Dugonics for the protagonist of his 1788 novel of the same name. It’s derived from male name Etele, which is possibly a form of Attila (little father).

Image of Jessica, from The Graphic Gallery of Shakespeare’s Heroines, 1896, by Luke Fildes

Gloriana is the title character of Edmund Spenser’s 1590 epic poem The Faerie Queene, an allegory of Queen Elizabeth I. It’s an elaborated form of the Latin word gloria (glory).

Grażyna means “beautiful” in Lithuanian. It was created by great Polish poet Adam Mickiewicz for the title character of an 1823 poem.

Gyneth is King Arthur’s daughter in Sir Walter Scott’s 1813 poem The Bridal of Triermain. It’s possibly a variation of Welsh name Gwyneth, either from Gwynedd (the name of a region in Wales, perhaps derived from Old Welsh name Cunedda) or the word gwyn (fair, blessed, white).

Haidee was created by Lord Byron for a character in the 1819 poem Don Juan, possibly derived from Greek word aidoios (reverent, modest).

Imogen is a princess in Shakespeare’s 1609 play Cymbeline, based on legendary character Innogen, which in turn is probably derived from Gaelic inghean (maiden). Her name was misprinted and never corrected.

Janice is an elaborated form of Jane created by Paul Leicester Ford for his 1899 novel Janice Meredith.

Jessica was created by Shakespeare for Shylock’s apostate daughter in The Merchant of Venice (1596), probably based on Biblical name Yiskah (to behold).

Jolánka is the protagonist of Hungarian writer András Dugonics’s 1803 novel Jólánka, Etelkának Leánya. It may have come from jóleán (good girl) or Yolanda (violet).

Juliet is an Anglicized form of respectively French and Italian nicknames Juliette and Giulietta. It was first used in Shakespeare’s Romeo and Juliet (1596).

Kinscő was created by Hungarian writer Mór Jokai in 1872’s The Novel of the Next Century, derived from kincs (treasure).

Lalage is a character in one of Roman poet Horace’s odes, derived from Greek lalageo (to prattle, babble).

Lalla is the protagonist of Thomas Moore’s 1817 poem Lalla Rookh, derived from Persian laleh (tulip).

Layla means “night” in Arabic, and was used in 7th century romantic poems. The variation Leila was used in several of Lord Byron’s poems.

Loredana is a character in French writer George Sand’s 1833 novel Mattea, possibly based on Venetian surname Loredan and ultimately place name Loreo.

Lorna was created by R.D. Blackmore for his 1869 novel Lorna Doone, based on Scottish place name Lorne and possibly ultimately legendary king Loarn mac Eirc of Dál Riata.

Lucasta was created by poet Richard Lovelace for a 1649 poetry collection of the same name, dedicated to his love Lucasta, Lucy Sacheverel. He nicknamed her lux casta (pure light).

Lucinda was created by Miguel Cervantes for a character in 1605’s Don Quixote, an elaboration of Lucia, ultimately derived from Latin lux (light).

Magnhild derives from Old Norse magn (strong, mighty) and hildr (battle). This is the title character of Norwegian writer Bjørnstjerne Bjørnson’s 1877 novel.

Malvina was created by 18th century poet James MacPherson for his Ossian poems, possibly intended to mean “smooth brow” in Gaelic.

Mahulena was created by Czech writer Julius Zeyer for his 1898 play Radúz and Mahulena, possibly derived from Magdalena.

Miranda, from The Graphic Gallery of Shakespeare’s Heroines

Mavis was first used as a personal name in a character in British writer Marie Corelli’s 1895 novel The Sorrows of Satan. It comes from a bird also known as a song thrush, ultimately from Old French mauvis (unknown etymology).

Melantha may be a portmanteau of Mel (from names such as Melissa and Melanie) and suffix antha, from Greek anthos (flower). John Dryden used it for a character in his 1672 play Marriage à la Mode.

Mélisande is the French form of Millicent (strong work), used in Maurice Maeterlinck’s 1893 play Pelléas et Mélisande.

Minea was created by Finnish writer Mika Waltari for his 1945 hist-fic The Egyptian, possibly based on Greek name Minos (king).

Miranda was created by Shakespeare for the protagonist of The Tempest (1611), derived from Latin mirandus (wonderful, admirable).

Mirèio is an Occitan name first used by French writer Frédéric Mistral in the 1859 poem of the same name, possibly derived from Occitan mirar (to admire).

Moema means “lies” in Tupí, an indigenous Brazilian language. Poet Santa Rita Durão used it in his 1781 poem Caramuru.

Myra was created by 17th century poet Sir Fulke Greville, 1st Baron Brooke, possibly based on Latin myrra (myrrh), or an anagram of Mary. This is also the name of an ancient city of Anatolia.

Slavic flower names

As promised, here’s a list of Slavic names primarily beginning with the roots Cvet-, Kvet-, and Tsvet-. This element means “flower” in the Slavic languages.

Female:

Cveta is Serbian.

Cvetana is Serbian and Croatian.

Cvetka is Slovenian.

Cvijeta is Serbian and Croatian.

Cvijetka, Cvita, Cvitana, and Cvitka are Croatian.

Cvjetana is Serbian and Croatian.

Cvjetislava means “flower glory” in Croatian. Another form is Cvjetoslava.

Cvjetka is Serbian and Croatian.

Květa is Czech, and Kveta is Slovak. This can either be a nickname or full name.

Květoslava means “flower glory” in Czech. The Slovak form is Kvetoslava. Květuše is a Czech diminutive.

Kvitoslava is Ukrainian.

Tsveta, Tsvetana, and Tsvetelina are Bulgarian. A nickname is Tsvetanka.

Tsvetomira means “flower peace” and “flower world” in Bulgarian, though the first element may also derive from tsvyat (colour) and thus mean “colour of peace.”

Male:

Cvetan and Cvetin are Macedonian, Serbian, and Croatian.

Cvetko is Slovenian.

Cvijetko, Cvijeto, Cvitan, and Cvitko are Croatian.

Cvjetan and Cvjetko are Serbian and Croatian.

Cvjetislav is Croatian. Another form is Cvjetoslav.

Květoslav is Czech. The Slovak form is Kvetoslav.

Kvitoslav is Ukrainian.

Tsvetan and Tsvetko are Bulgarian.

Tsvetomir means “flower peace” and “flower world” in Bulgarian.